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ダッラピッコラ《サッフォーの5つの断片》第2楽章における12音技法の特徴
https://doi.org/10.34476/00000912
https://doi.org/10.34476/000009120498bb84-420c-4ab6-89b4-31c2d5b0fd46
名前 / ファイル | ライセンス | アクション |
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K52_14 moriya (2.2 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2023-03-31 | |||||
タイトル | ||||||
タイトル | ダッラピッコラ《サッフォーの5つの断片》第2楽章における12音技法の特徴 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Distinctiveness of the Twelve-Tone Technique in the Second Movement of Dallapiccola's Cinque frammenti di Saffo | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.34476/00000912 | |||||
ID登録タイプ | JaLC | |||||
著者 |
守屋, 祐介
× 守屋, 祐介× Moriya, Yusuke |
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書誌情報 |
愛知県立芸術大学紀要 en : The bulletin of Aichi University of the Arts 号 52, p. 217-235, 発行日 2023-03-31 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 0389-8369 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN00007619 |