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  1. 愛知県立芸術大学紀要
  2. 35号(2005)

音楽の政治化 : 1889年パリ万博

https://ai-arts.repo.nii.ac.jp/records/182
https://ai-arts.repo.nii.ac.jp/records/182
415ad004-3324-4670-b267-3336ba691947
名前 / ファイル ライセンス アクション
K35_1 K35_1 inoue (1.2 MB)
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Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2015-11-23
タイトル
タイトル 音楽の政治化 : 1889年パリ万博
タイトル
タイトル The Politicization of Music : The 1889 Paris Universal Exposition
言語 en
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
著者 井上, さつき

× 井上, さつき

井上, さつき

ja-Kana イノウエ, サツキ

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Inoue, Satsuki

× Inoue, Satsuki

en Inoue, Satsuki

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内容記述タイプ Abstract
内容記述 Though the 1889 Paris Universal Exposition is famous for Javanese gamelans and annamite dancers, which attracted many French musicians, the official musical events of great size, Auditions musicales, were also mounted during the Exposition. This paper discusses the process of the programming of the Auditions musicales through documents that the author discovered at the Archives Nationales de France. There was friction between the organizers of the Exposition and the committee of the events concerning the content of the events. Georges Berger, one of the general directors of the Exposition, reduced the budget for the official grand orchestral concerts and planned a competition of musique pittoresque, i. e. French and European folk music, according to the proposal of a republican deputy for Bouches-du-Rhone with a view to curry favor with the constituency. (Berger was himself elected as a republican deputy shortly afterward.) Although it seems to be irrelevant to politics, the official musical events of the 1889 Exposition were influenced by the republican's power.
内容記述
内容記述タイプ Other
内容記述 Though the 1889 Paris Universal Exposition is famous for Javanese gamelans and annamite dancers, which attracted many French musicians, the official musical events of great size, Auditions musicales, were also mounted during the Exposition. This paper discusses the process of the programming of the Auditions musicales through documents that the author discovered at the Archives Nationales de France. There was friction between the organizers of the Exposition and the committee of the events concerning the content of the events. Georges Berger, one of the general directors of the Exposition, reduced the budget for the official grand orchestral concerts and planned a competition of musique pittoresque, i. e. French and European folk music, according to the proposal of a republican deputy for Bouches-du-Rhone with a view to curry favor with the constituency. (Berger was himself elected as a republican deputy shortly afterward.) Although it seems to be irrelevant to politics, the official musical events of the 1889 Exposition were influenced by the republican's power.
書誌情報 愛知県立芸術大学紀要
en : The bulletin of the Aichi Prefectural University of Fine Arts and Music

巻 35, p. 3-22, 発行日 2006-03-31
出版者
出版者 愛知県立芸術大学
ISSN
収録物識別子タイプ ISSN
収録物識別子 03898369
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AN00007619
論文ID(NAID)
識別子タイプ NAID
関連識別子 110006203452
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